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It was then that Norway had the writers who became known as the "Big Four", namely Henrik Ibsen, Bjørnstjerne Bjørnson, Alexander Kielland and Jonas Lie. Camilla Collett and Aasta Hansteen wrote to defend the cause of feminist theories that were an integral parity of a larger program for the authors of the Modern Breakthrough.For the latter, it will be to defend the oppressed people against the social expectations of the time, of which the wife was one: women who received a primary education whose sole purpose was marriage, women who were unable to continue to fully enjoy intellectual lives, who could not freely dispose of their own life and body.Bjørnson wrote a play in 1879 called, Leonarda, in which he defends the woman who "has a past." But above all, his play A Glove (1883) had a great impact on the public in Norway.
They also worked in the food industries and jobs requiring "little hands", but they did not work in heavy industry.
During this period, new laws were passed, and although they did not at once revolutionize the status of women, barriers were being crossed regularly and rapidly.
Formal equality of women with men became almost complete in the space of just two generations. The rule of, who wanted women to be entitled to nothing beyond joint-ruler status, lapsed and equal inheritance for both sexes became the rule.
The literature marketed to women of the time was still a reflection of society's value system: only the quest for a husband was to be found in these novels.
Among the women writers published in Norway during the era were Hanna Winsnes, Marie Wexelsen and Anna Magdalene Thoresen.